Beckett & Politics

A huge thank you to all who joined us at the Beckett & Politics conference, we hope that that the papers and keynotes opened up as many new avenues of inquiry as possible and we look forward to continuing the debates and conversations that arose throughout the conference.

If you would like to get in touch for queries, details or further discussions, the organisers are happy to answer email correspondence:

Will Davies: w.davies@pgr.reading.ac.uk

Michela Bariselli: m.bariselli@pgr.reading.ac.uk

Niamh Bowe: n.m.bowe@pgr.reading.ac.uk

Helen Bailey: heabailey@btinternet.com

Schedule

BECKETT & POLITICS 2016

Thursday 3 November


08:45               Coffee & registration

09:30               Welcome

09:45               Keynote 1

Matthew Feldman      Beckett’s Nominalist Politics

10:45               Coffee

11:15               Compassion & Violence

Elsa Baroghel              ‘indoor bowers of bliss’: Mental asylums in Samuel Beckett’s works

Andy Wimbush         Beckett’s Transgressive Compassion: How It Is, and the ‘natural order’

Paul Stewart                Molloy, Violence and the Politics of Inclusion

12:45               Lunch

13:45               Capitalism (Chair: Zoe Gosling)

Rodney Sharkey            ‘I am in my mother’s room. It is I who live there now’: Beckett and the Politics of Distance

Llewellyn Brown        Samuel Beckett and the body of the speaking being: Politics for Today

Martin Schauss            ‘Into what nightmare thingness am I fallen?’: The Politics of Matter in Samuel Beckett’s Short Stories

15:15               Coffee

15:45               Sex  

Lloyd Houston                    Samuel Beckett and the Politics of Venereal Disease

Alan Graham                       ‘Abort and blush like new’: eugenics and narrative in Beckett

Giovanna Vincenti           A Portrait of the Artist as Young ‘Postwar Degenerate’ – Samuel Beckett and Max Nordau’s Degeneration

17:00               Coffee

17:20               Keynote 2

Elizabeth Barry                    Beckett, Disability and Performance: The Case of Endgame

18:20               Closing remarks

18:30               Wine reception (Minghella)

 

BECKETT & POLITICS 2016

Friday 4 November

08:30               Coffee & registration

09:15               Representation and Subjectivity

Galina Kiryushina              ‘This little people of searchers’: Politics of Re-Presentation in The Lost Ones

Thomas Thoelen                ‘the cerebellum on fire’: Beckett and the (Techno)Politics of the Brain

James Little                          ‘First the place, then I’ll find me in it’: Beckett’s Pronouns and the Politics of Confinement

Douglas Atkinson              Silent Sovereignty: Laclau and Beckett on Language and Freedom

11:00               Coffee

11:15               Postcolonial Ireland

Scott Hamilton                   ‘delivering … The Ossianic goods’: Beckett and the Politics of Irish Orientalism

Brendan Dowling              Beckett’s evolving treatment of the subaltern figure in his early prose fiction.

Feargal Whelan                  A coffin full of stones and a submarine: Echo’s Bones and 1930s Irish political mythology

12:30                             Lunch

13:15               Gender (Chair: Trish McTighe)

Kumiko Kiuchi                     Age, Posture, Sexuality: Reading Happy Days in the Light of “Aristotle and Phyllis”

Helen Bailey                        (En)gendering spirit: Beckett’s Eve/Mary Sirens

14:30               Coffee

14:45               Political Events (Chair: Rodney Sharkey)

Matt McFrederick    ‘The air is full of our cries’: Staging Beckett during apartheid in South Africa

Katya Gosteva               Beckett’s Watt as a war-novel and the problem of identity

Natalie Leeder            ‘What is the wrong word the evil spread’: a politics of evil?

Hannah Simpson        Samuel Beckett and the Nobel Catastrophe

16:30               Coffee

16:45                       Keynote 3

Daniela Caselli           Beckett, Gender and the Politics of Humanism

17:45                       Closing remarks

Beckett Week

Beckett Week at the University of Reading (2-5 November 2016)
The Beckett at Reading team is happy to announce the following events, which will take place during our ‘Beckett Week’:
Lisa Dwan: ‘A Beckett Actor’ – The Billie Whitelaw Lecture (6pm, 2 November 2016)


Acclaimed Beckett actress, Lisa Dwan, who has performed in Beckett’s plays across the globe, will speak about performing in Beckett and about her mentor Billie Whitelaw, Beckett’s favourite actress. Lisa met Billie when she was preparing for a production of Beckett’s challenging play, Not I, and Billie passed her notes from Beckett on to Lisa. We are delighted to welcome Lisa Dwan back to Reading, following her virtuoso performance of a selection of Beckett’s prose for performance entitled No’s Knife at London’s Old Vic Theatre. 
The lecture will be followed by a Wine Reception, and the Launch of the Billie Whitelaw Exhibition, which will for the first time show items from Billie Whitelaw’s Beckett Theatrical Collection, acquired by the Beckett International Foundation last year.
Registration and Details: http://store.rdg.ac/LisaDwan

Beckett and Politics Conference (3-4 November 2016)

Organised by the Beckett at Reading Postgraduate Group (BARP), the exciting theme of ‘Beckett and Politics’ will be discussed through panel
presentations and keynotes by Matthew Feldman, Elizabeth Barry and Daniela Caselli. All scholars, students, and enthusiasts are welcome.

Registration for the conference:
http://www.store.reading.ac.uk/browse/extra_info.asp?compid=2&modid=2&catid=101&prodid=804

Mary Bryden Tribute Day (5 November 2016)


A tribute day for the late, much loved Mary Bryden, Professor of French Studies at the University of Reading, and Co-Director of the Beckett International Foundation, who died a year ago.
The day will start (at 12 noon) with a lecture by Emeritus Professor Jim Knowlson on Beckett and Billie Whitelaw. In the afternoon, there will be an academic panel which will reflect on aspects of Mary’s research in French Studies and Beckett Studies. This will be followed by personal and musical tributes from Mary’s colleagues and friends, and readings from Mary’s own creative writing. The event is free and will include lunch and a drinks reception at the end of the day. 
Registration and Details: http://store.rdg.ac/MaryBrydenTributeDayEvent
All events take place in the Minghella Building, Whiteknights Campus, The University of Reading. Registration is necessary for all events – please do so as soon as possible so we can book catering as necessary.
For queries about any of these events, please email Mark Nixon (m.nixon@reading.ac.uk)
We look forward to seeing you; with best wishes from all of us
The Beckett at Reading Team

Conference Registration

Please find below the registration link for the Beckett and Politics Conference, November 2016. Fees include lunch each day, tea and coffee breaks and an evening wine reception:

Registration Link – click here

The provisional schedule for the conference can be found below:

Provisional Schedule – click here

Accommodation and travel advice can be found at the link below:

Accommodation and Travel – click here

For any enquiries please email barpconference@gmail.com

 

Beckett and Politics

Beckett and Politics

*** REVISED DEADLINE FOR ABSTACTS 22ND JULY ***

3rd-4th November, 2016

Confirmed Keynote Speakers:

Daniela Caselli (University of Manchester), Matthew Feldman (Teesside University), Elizabeth Barry (University of Warwick)

Samuel Beckett is often hailed as the epitome of the ahistorical and apolitical writer. His work has been characterised by a poetics of ‘impotence and ignorance’ that makes use of aporia, silence, indifference, resistance to narrative and a disconnection from contextual time and space. However, to what extent has the political nature of Beckett’s aesthetic been overlooked?

Throughout his life and career, Beckett encountered an exceptional range of extreme political ideologies in Twentieth Century Europe. His background as an Anglo-Irish Protestant in the Irish Saorstat, his documented wandering through Nazi Germany in 1936-37, his decision to leave neutral Ireland during World War Two and subsequent role in the French Resistance, his encounters with Irish and British censorship throughout his career, and his support of political causes throughout his writing life such as anti-apartheid in South Africa and the imprisonment of Václav Havel all suggest that the politics of Beckett’s biography and writing is a ripe area for discussion. The various modernisms that emerged in Ireland, Britain, France and Germany also heavily influenced Beckett as a young writer, however, the political aspects of artistic movements in the Twentieth Century have yet to be wholly accounted for in terms of Beckett’s works.

Given that Beckett resisted the ‘neatness’ of political and historical identification, to what extent has scholarship been influenced by Beckett’s own statements? Following on from Peter Boxall’s call to reassess the limits imposed upon Beckett’s work by the ‘overemphasis of his political neutrality’ (2002), the political context and value of  Beckett’s works has become an important question in Beckett scholarship. However, this is an area that has yet to be fully explored. Scholarship such as Séan Kennedy’s edited volume Beckett and Ireland (2010) and the Historicising Modernism series has shown the value of combining conceptual and contextual approaches as well as indicating the necessity for further consideration of the methodologies used in Beckett criticism.

Beckett’s aesthetic representation of disabled figures, failure, violence, gender, poverty and voicelessness all suggest the possibilities of a fruitful engagement with many strands of current political and critical theory. In connection, Beckett’s appropriation into  advertising promotions and protest theatre also raises specifically contemporary political problems, as does the role of government and institutional funding in the study of Beckett’s work. How then might we begin to consider Beckett’s work to be political and what problems are brought up by the possible rejection of the political in his work? Is literature always in some sense political and in relation to this is interpretation always political? How can we read the nuances of the political and critical difficulties present in Beckett’s work? How do such considerations contribute to wider inter-disciplinary studies of Politics and Art?

The Beckett at Reading Postgraduate and Early Career (BARP) group are pleased to announce their second international conference hosted at the University of Reading. The conference will address the theme of ‘Beckett and Politics’ with the aim of exploring and exchanging new scholarship in this understudied area of Beckett’s life and writing.  The conference will be a part of the ‘Beckett Week’, organised by Beckett at Reading and the Beckett International Foundation, with public talks, an event commemorating Mary Bryden and a Billie Whitelaw exhibition.

The conference committee welcome submissions from scholars from all disciplines, with a particular emphasis on encouraging the participation of postgraduate and early career researchers. Papers on topics related to Beckett’s work may include, but are not limited to, such areas as:

  • The rise of extreme political ideologies in the Twentieth Century
  • Location, nation and nationalism
  • Ireland and the Irish Free State
  • Political references and allusion in Beckett’s texts
  • Art, writing and interpretation as political statement
  • Writer as figure in (political) exile
  • Censorship
  • Politics of performance
  • Performance, prose and poetry as testimony
  • The politics of Modernism, Late Modernism and Postmodernism
  • (Post)colonialism/Eurocentrism
  • The body politic
  • Gender and/or Sexuality
  • Beckett and Capitalism
  • Manuscripts, archives and methodologies
  • The politics of criticism
  • Institutions and government policy
  • Beckett as non-political, apolitical or possibly anti-political

 

Please send anonymised abstracts of no more than 300 words and a separate biography of no more than 150 words (.pdf or .docx), and any informal inquiries, to barpconference@gmail.com by the 22ND July, 2016.